Thursday, July 04, 2019

Princeton Festival 2019 – Adams’s Nixon in China. June 30, 2019.


Matthews Theatre, Princeton, NJ.  Balcony (Seat CC3, $75).

Story.  President Nixon and Pat Nixon flies to Peking on Monday February 21, 1972 and is met by Premier Chou En-Lai.  They then go and meet Chairman Mao and have a discussion.  This is followed by a banquet.  The next day, Mrs. Nixon is presented with a glass elephant before she visits the Ming tombs.  The evening is spent attending a performance of a revolutionary ballet devised by Mao’s wife Chiang Ch’ing.  The last Act, described as “The last evening in Peking” by the librettist Alice Goodman finds Mao and Nixon reminiscing on their respective pasts.

Conductor – Richard Tang Yuk; Richard Nixon – Sean Anderson, Pat Nixon – Rainelle Krause, Chairman Mao – Cameron Schutza, Madame Mao – Teresa Castillo, Henry Kissinger – Joseph Barron, Premier Chou – John Viscardi.

The performers were miked up per the composer's instructions.

In the past couple of years we attended several Princeton Festival events, this opera was the only event which we managed to go to this season.  I first purchased tickets for the 6/23 performance but then there was a schedule conflict, it was good that I could exchange the tickets, for free.

Overall the three-hour opera (including a 20-minute intermission) was a disappointment.  I still remember this as being a momentous occasion in Sino American relationship, and it was dubbed “Ping Pong diplomacy” at that point.

The opera told the opera in a straightforward sort of way.  First it was Nixon singing a long “aria,” followed by Chou, then it was Mao’s turn.  While there had to be dialogs in between, I don’t remember much (or any) of it.  And the content of the monologs was not particularly memorable, either.  Act 3 was the most puzzling.  Reading of the synopsis would lead one to think it would be over quickly (that idea/wish was reinforced by the note that the program ends at about 5:45 pm), instead it took about 30 minutes.  I called it streams of consciousness bothering on the surreal, Anne’s thought it was the two disparate leaders sharing a common war experience.  Both of us wanted it to end.  Indeed this was one of the few music events that I thought about leaving early.

The set was understandably simple.  The main stage had a few risers populated with chairs where the masses sat.  They could be at a banquet, or they could be the audience of the ballet, depending on when they were in the program.  In the back were some screens on which images would be projected: such the Spirit of America (Air Force One) or war scenes.  The snow fall was pathetically done with falling confetti.

That made the singing that much more critical to the success of the opera.  I discussed how I felt about the libretto already; the music wasn’t that much better.  If this opera is any indication, Adams is a minimalist aspirant who fails to make his music interesting.  Most of the music is of limited range, with large intervals thrown in every now and then, but they just manage to add some grittiness to the music.  Going over my blog, I realized I have seen quite a few of Adams’s works, including the Chairman’s Dances based on this opera, and the opera The Death of Klinghoffer.  The most common adjectives I used are “monotonous” and “forgettable.”

A few interesting points.  the opera began and ended with Mao’s body in center stage (Mao’s body actually is on display in Tian An Men Square) with Chou looking on; there were these three ladies that echo what Chiang was singing, sometimes to good effect, I must say; and the composer specifically requests that the principal singers get miked up.

From left: Kissinger, Mao, Pat Nixon, Richard Nixon, Chou, Chiang, and the three secretaries.

Attendance was okay – not great – if the empty seats in the balcony was any indication.  Perhaps the Festival organizers overestimated the level of sophistication of the attendees?

There are very few classical concerts wherein I would say the following at its conclusion: those were three hours I would never get back.  Unfortunately that’s how I felt right afterwards, although with the passage of a few days (the opera was Sunday, today is Thursday) I am a bit more charitable, but not enough to say “I am glad we went.”

We grabbed something to eat at the Princeton Station WaWa and then drove to Marine Park in Red Bank for a New Jersey Symphony outdoors concert.

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