Saturday, May 25, 2019

Motette in der Thomaskirche. May 25, 2019.

St. Thomas Church, Leipzig, Germany.  Choir (2 euros).

Program
Johnann Sebastian Bach: Kantate “Bisher habt ihr nichts gebeten in meinem Namen” BWV 87.

Artists
Leitung: Thomaskantor Gotthod Schwarz; Thomasorganist Ullrich Bohme; Klaudia Zeiner (Alt), Floria Sievers (Tenor), Dirk Schmidt (Bass); Thomaschor Leipzig; Gewandhausorchester Leipzig.

 St. Thomas Church probably got its start at this location in 1212, per the Church's brochure.


Today's program and the full list of artists.  Not pictured is the hymn "Vater unser im Himmelreich" sung by the congregation and the choir.

Anyone with any knowledge of Johann Sebastian Bach would know that he worked as the Cantor at St. Thomas Church in Leipzig from 1723 to 1750 (he died that year).  He was also the cantor at St. Nicholas Church, less than a 10-minute walk away, but St. Thomas is much better known; there is even a Bach statue outside.

Every Friday at 6 pm and Saturday at 3 pm St. Thomas Church puts out a concert.  For today it was a motet.  So we expected a small group of singers for this concert.  The program turned out to be much more expansive.  Their website showed one Cantata, but in actuality the program contained many more pieces, starting with an organ piece “Vater unser im Himmelreich” choral and variations by Mendelssohn.  I have included photos of the program in this blog entry, what is missing is the same hymn with alternate verses sung by the congregation (that would include me) and the choir.  The melody of this hymn is from 1396, the words by Martin Luther.  (There is a Wikipedia entry on the title.)

We were seated in the second row to the right of this picture.  There is some debate whether Bach is interred here.

The musicians before the program began.  Perhaps in keeping with this being a service, there was no applause, they just stood up and walked off when the program was done.

Our seats in the choir section gave us a good view of Bach’s tomb, but we had to strain to see the musicians at the other end of the hall.  The church was filled to capacity as many people visit Leipzig for its music, especially Bach’s.  The price was 2 euros, at the door, no advanced tickets.  The quality of the music (perhaps more my appreciation of it) was uneven: I really enjoyed the first piece, but couldn’t quite appreciate the last one (the “advertised” cantata.)  In Bach time the musicians were all full-time employees whose job was to provide music for church service; I suspect that is not the case today.  The orchestra members are from the Gewandhaus Orchestra, and they carry a heavy concert program at their regular venue.  (Some of them are on tour in China at the moment.)

The concert felt more like a service.  There was a sermon given by the Rev. Britta Taddiken, and she also offered a prayer and gave the blessing.  Perhaps this was how a service was structured in Bach’s time?

The program lasted about 1:15 hours.  We were thinking of going to St. Nicholas Church for an Organ Concert and decided to skip as it would mean a rushed afternoon.


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