Newton Community Chorus - Richard Travers, Music Director. June 3, 2006.

Our Lady Help of Christians Church, Newton, MA

Lesley Chen, Concertmaster; Megan Workman, Soprano; Shannon Wicks, Countertenor; John William Gomez, Tenor; Michael D. Andrako, Baritone.

Program
Mass in Time of War (Paukenmesse) in C major (1796) by Joseph Haydn (1732-1809).

We came up to Boston to listen to the chorus of which Ellie is a member. Tonight we were seated in the front, on the right hand side of the church.

The Mass is known for its extensive use of the timpani (2 drums, C and G, I assume) which many felt Haydn used to denote cannons being fired. The mass was written during a time of war between Austria and France, in which Austria was ultimately defeated.

My last review of the chorus, when they sang Handel's Messiah in December 2005, largely took note of their amateur status. Perhaps I should look at tonight's performance in the same spirit. My overall impression is that the level of performance was generally higher this time around.

In general, the soloists were not as good as those in the last concert - and they were not great then. They are all voice students at the Boston Conservatory of Music, with three of them being students of one Victor Jannett. None of the voices sounded particular mature, hopefully they will improve with experience. The soprano rushed at the beginning and sang the high notes in Kyrie eleison as if she was out of breath, or couldn't wait to move off them. She did improve as the Mass progressed and was much better at the end. The countertenor's voice was a bit weak. Many in the audience were taken aback by a man singing a traditional alto role using a falsetto voice. The tenor and bass/bartione put in adequate but not spectacular performances. The bass was a bit weak in the low registers.

I actually thought the chorus did quite a bit better than December. The balance between the voices was much better, and I think this piece is musically more challenging than Messiah. There were inevitable miscues and imprecisions, and periods of chaos would creep in, but they didn't detract from the overall performance. Ellie thought they messed up in only one place.

The conductor did a good job, and most of his cues seemed timely, albeit not inspiring. The orchestra members played gallantly, but the orchestra was drowned out often due to its small size. There was a nice cello solo passage, though. The two trumpets were solid. The timpani player was quite good, but could play with more conviction during some of the more prominent passages. She didn't bring out the gloom and doom that should run in the background.

Frankly I had never encountered this piece until Ellie told me about it. I have since listened to a recording of it several times and find it enjoyable. Tonight's performance, played and sung by a group of (mostly) amateur musicians, was also quite satisfying.

This is probably Ellie's last performance with the chorus as she plans to leave the Boston area sometime during the summer. Let's hope she finds an appropriate group to join after she moves! (Not that I am being mysterious, she isn't sure where she'll end up yet.)