David Geffen Hall at Lincoln Center. Orchestra (Seat AA102, $136).
End of concert. Pintscher and Huang shaking hands as Hahn looks on after the Brahms Violin Concerto.
Program
Symphony No. 7 in A major, Op. 92 (1811-12) by Beethoven (1770-1827).
Concerto in D major for Violin and Orchestra, Op. 77 (1878-79) by Brahms (1833-97).
The original program for the concert.
One buys a ticket to a concert led by Blomstedt for many reasons. One is that at 97 he is breaking the age record every time he conducts, the other is that he is a master at the craft. And Hilary Hahn is on the program too. Those factors made the ticket price a lot more palatable.
That Blomstedt did a BSO concert recently also made me very hopeful, so I was disappointed when I got a notification that Blomstedt had to withdraw due to an ear infection. Disappointment aside, I hope he recovers quickly, and returns to NY Phil soon.
Pintscher would be standing in as the conductor, and Beethoven's Seventh Symphony would replace the Schubert No. 6. My attitude was let's just enjoy the concert for what it was. Both pieces are easy to like, and quite familiar.
If one looks up Beethoven's 7th Symphony on YouTube, the durations of the returned videos typically run between 41 to 45 minutes, with the shortest one just short of 39 minutes. (Results from a search I did just now.) The revised Program Notes indicate a duration of about 36 minutes. The actual performance was at most a couple of minutes longer. A few salient features: the pace itself was very fast, and the orchestra simply did what it was asked to do; and there were basically no breaks between the movements - Pintscher kept his arms up for a couple of seconds after a movement ended, and launched right into the next one. Overall it was a great performance, but I thought the audience could use a break every now and then, perhaps the orchestra also.
Of the four movements of the symphony (Poco sostenuto - Vivace, Allegretto, Presto, and Allegro con brio), the second movement is probably the best known. Depending on the speed, it can be perceived as a funeral march or a stroll in the park. Today it felt more like cantering on a meadow; a bit unusual, but okay. For at least this audience member, the question changed from "Who is this Pintscher?" to (almost) "Who was supposed to be the conductor?" I did wonder why they didn't simply call on the music director from across the Hudson. One reason may be she was in Europe.
It was a fast reading of Beethoven's Seventh Symphony. The orchestra used for the piece was smaller than the one used in the Brahms concerto.
Taken before the concert. Against the huge stage of the auditorium the orchestra certainly looked small.
Hilary Hahn has been on the music stage for a long time, yet she is only 45. She was in the news recently for having to cancel concerts because of an injury, but evidently has recovered enough to tackle the Brahms Violin Concerto. Interestingly, she owns violins that are copies of a Guarnerius and a Stradivarius. Whichever one she used for today's concert, she was powerful enough to go against a large orchestra (larger than the one for the Beethoven symphony).
Brahms's concerto is considered to be one of the most difficult in the violin repertoire, and knowing it well doesn't make the listener any less nervous. Hahn produced an amazingly clean tone from her instrument, and I certainly wouldn't think there was any weakness in her playing. And the concerto is long (at 40 minutes) and at times the soloist has to play against a full-throttled orchestra. After all, a reviewer had dismissed the piece as "a concerto not for, but against the violin." Per the Program Notes, the negative reception caused Brahms to destroy his draft for the second violin concerto.
Hilary Hahn is often praised for her musicality, and I certainly agree. Today with my binoculars I had a good look at her fingers as they flew over the fingerboard. The fingers are long, especially the pinky. They actually looked like spider legs dancing around (no disrepect intended). Of course many great artists overcome their physical limitations, but it helps if one is born with attributes that make things easier.
Before the concert began, I noticed that Anne was reading the description of the Schubert Symphony in the program notes. When I told her about the change in the program, she said the description was so interesting that she was looking forward to hearing the Schubert piece. I imagine there were people who were similarly disappointed also.
We again saw the NJ Symphony bassist in this performance. With a roster of eight bassists, I was somewhat surprised that a temp was needed when only four or five players sat for the performance.
The concert was short enough that we decided to try the 9:38 pm train back to New Jersey. So we left after the first applause, and we heard Hahn starting her encore piece just as we were leaving the building.
We made the train with a few minutes to spare. The train didn't depart on time, and after about 20 minutes an announcement came on to say it was canceled as they couldn't resolve the mechanical problem. So we could have stayed for the encore.
We took the 10:23 pm train, and it was not that crowded.